An analysis of the string bass

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An analysis of the string bass

She has been stabbed in a fit of jealous rage by her lover, the Count Belfiore, before the opera begins and left for dead. Fortunately she recovers and, calling herself Sandrina, goes into hiding at the house of the local Mayor.

The Mayor immediately falls in love with her, which annoys his servant Serpetta, who is in love with him herself. He is rich, handsome, and called — Belfiore. Not surprisingly she and Belfiore go mad half way through the show. Language La finta giardiniera is sung in Italian.

You can follow the English translation on a screen above the stage, but knowing a couple of Italian words will come in handy. The Podesta is called by his title throughout the show, Belfiore is sometimes called Il Conte. The Plot Act I Murder?

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The opera starts with the overture. The curtain goes up on a large 18th century room, all windows, mirrors and doors.

In the centre of the stage stands a young man with a knife in his hands. Eventually he manages to climb out of the room.

An analysis of the string bass

Time passes and the young woman gets up, pulls herself together, and joins the rest of the cast as they enter for the opening number. The opera has begun. However only the Podesta, attracted by the beautiful Sandrina, is really happy; everybody else has something on their mind and they tell us about it in a series of solo lines.

Ramiro, a teenager who looks like an 18th century Goth, is particularly gloomy. His heart is broken and, when the Podesta suggests he finds another girl, he breaks into a furious aria.

The last thing he wants is to fall in love again.

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Sandrina is just as upset and, left alone with Nardo, wonders whether she ought to give up and go home. Suddenly, the sheer difficulty of being a woman overwhelms her.

Perhaps women should never be born in the first place? Fortunately he is only five minutes late and he enters, prepared to be knocked out by her beauty.

Introduction

Meanwhile Serpetta has taken a dislike to Arminda and, rather than be ordered about by her, thinks that marriage might not be such a bad idea. Collapse Sandrina enters, singing a melancholy aria — she says she feels like a turtle dove deprived of its mate.

Arminda dashes off for smelling salts, ordering Belfiore to help the girl as she goes. The Finale This discovery brings everyone on stage for the big number that will close Act 1 — the Finale.

Sandrina comes to, Ramiro wanders on, and Arminda returns with first aid. Serpetta, Nardo and the Mayor appear from nowhere and the act ends with everyone bewildered, angry, and singing at the top of their voices.Classical music commentary with reviews of new releases of baroque opera & early music CDs & historically-inspired stagings and dance.

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