Langston Hughes reached his prime in writing during the time of the Harlem Renaissance. This was a unique time period in American History in which many African American writers, artists, actors, and celebrities of various kinds emerged. It was a time in which, for the first time in History, African American people were able to reveal their true talent and intellect.
I know I can't be President. The narrator expresses disapproval at the audacity of the younger generation as they call attention to the inequality they face every day. For the narrator, inequality is simply a fact of life not worthy of comment.
Hughes uses this contrast between generations to suggest that the members of the younger generation are less willing to accept inequality without some kind of resistance—even if that resistance is limited to silly rhymes chanted while playing.
The poems "Low to High" and "High to Low" both deal with the dream of achieving a higher social status. The narrator lists all the things that are wrong with the lower-class friend, which include "you talk too loud" and "look too black.
The term "passing"—which appears only in the title and not in the poem itself—is used to describe a light-skinned black person who successfully passes himself or herself off as white in mainstream society, and is therefore freed from the prejudices and inequalities that blacks normally face.
In "Passing," Hughes suggests that those who give up their heritage to achieve their dreams are ultimately left with a sense of loss every bit as potent as a dream deferred. Romance The quartet of poems "Sister," "Preference," "Question," and "Ultimatum" gives four different perspectives on men and women whose romances are complicated by financial worries.
In "Sister," a man talks to his mother about why his sister dates a married man. A much softer side of romance is given in "Juke Box Love Song. The last four lines use an abba rhyme scheme, a more formal structure than is found in the rest of the lines.
Though the poem differs in rhythm from Hughes's boogie-woogie efforts, the theme still focuses on music: Work Hughes offers different perspectives on the issue of working in the poems "Necessity" and "Buddy.
The first is "Croon," a three-line poem: The man states that he is a native New Yorker, born "right here beneath God's sky.
However, as the woman in the poem tells the man, the opportunities she hoped for in New York have led to only one success: In the poem, an unnamed black man is terrorized and assaulted after he tries to vote somewhere in the South.
In response, he boards a train bound for New York and takes up residence on rd Street, one of the main thoroughfares of Harlem. The meaning of the poem's title, "Not a Movie," is perhaps less clear to modern readers than it was at the time of the book's initial publication.
A contemporary reader might take the title to mean that the events of the poem really occurred, or that they are too tragic to be considered entertainment.
Within the context of Montage of a Dream Deferred, however, the poet seems to suggest a different reason for the title: Such an accurate portrayal of a black man's life would not be considered suitable for a movie, because black characters in movies were often limited to grotesque and insulting stereotypes intended to make white filmgoers laugh.
Two more poems later in the collection portray Southern men working in the North. In "Neighbor," two people discuss a man who goes to a bar after work and debate whether he is a "fool" or a "good man. It seems to the reader that he is in the bar seeking company more than drinking.
The narrator explains this fondness for the war by noting in "Green Memory" that it was a time "when money rolled in. After the war, many of these jobs disappeared or were taken over by white workers returning from the battlefield. In "Green Memory," the narrator acknowledges that "blood rolled out" as wealth came in—a reference to those soldiers who traveled overseas and died in battle.
In "Casualty," the war and its end have a much more personal effect for the narrator.Langston Hughes is best known as one of the most imminent poets of Harlem Renaissance. While Hughes himself did not belong to the lower class of the African American people, his works and poetry mostly addressed the problems plaguing the lives of these people.
The poem, "A Dream Deferred," by Langston Hughes, accurately and descriptively portrays the attitudes of African American people during the mid 's.
Hughes expresses the possible responses of African Americans to their dreams being deferred by means of metaphors and similes. Langston Hughes was born on February 1st, during an incredible period for African Americans in Harlem, New York. Langston Hughes was a well-respected figure that influenced many people with his diverse forms of writing during this time of the Harlem Renaissance.
Julieta Antman Lynch “A Dream Deferred” by Langston Hughes central idea “A Dream Deferred” written by Langston Hughes, is a very creative poem which describes clearly that you should not put off or postpone a dream. Langston Hughes Characteristics Dreams by Langston Hughes is a metaphorical and lyrical poem.
Dreams has a meter of and a rhythm of A,B,A,C-A,D,E,D. With only 8 lines and simple words, Langston makes it very easy to remember and very easy to understand.
Langston Hughes used his writing, particularly his poetry, to capture the longing and needs experienced by African Americans during the Civil Rights era.