Johnston ; Lord et al. Borgotta ; Hogan et al. We define political craftsmanship by the political skills necessary to be effective in the political arena, including intelligence and understanding the rules of the political game. It includes whether a leader is known for possessing sufficient general knowledge as well as knowledge of specific topics and for making well-considered decisions based on comprehensive contemplations.
An interview of Susanne Ghez conducted Jan.
Ghez discusses her work for the Renaissance Society in Chicago; the Renaissance Society's involvement with European artists; taking risks; the importance of "programming first"; attention to Chicago area artists; a mix of local, national, and international programming; complementary programming Thesis rita claes the Smart Museum of Art; audiences; the relationship between the Renaissance Center and the University of Chicago; installation issues; improved outreach to students; working on "Documenta 11," including the experience of co-curating with Okwui Enwezor and travelling to visit artists; exhibitions coming out of the "Documenta experience"; changes in curatorial practices; recommendations for aspiring curators; her retirement and succession plans; projects as an independent curator; art collectors in Chicago; serving on advisory committees; organizing thematic exhibitions; the importance of "belief" and "trust," and other topics.
Provenance This interview is part of the Archives of American Art Oral History Program, started in to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript Preface The following oral history transcript is the result of a digitally recorded interview with Susanne Ghez on Jan.
Judith Olch Richards has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose.
I'm of an age where I don't remember my grandparents; I didn't really know my grandparents. I think I must have been very young when my — the last remaining grandparent died. What were their names? Anna [sp], I remember, was my father's mother.
And what — his name was — her name was — MS. Well, that — Anna Gayton. How do you spell that?
My grandfather I never knew, and frankly I don't know his name. I've never done any genealogy research. So that was on my father's side.
And on my mother's side, my mother's mother died when she was —I'm not sure if it was three months or if it was maybe two years or something.
My mother was really just a baby when she —when her mother died. So I never knew that grandmother and — MS. Do you recall her name? What was her name? And how do you spell "Cassels"?
That's my middle name, actually, Susanne Cassels. And I think that my mother's father could not cope after the death of the — of his wife, and so my mother was raised by two maiden aunts, Lizzie and Susan — oh, was it — I think it was Susan, because I was named after one, and my sister was named after the other.
And I think it was "Fallon," an Irish name. They were very Irish. But — [inaudible] — I may have to check all of this for you. In a small town called North Attleborough, Massachusetts. My father was from Canada, from Nova Scotia.
And what's his name? And he was — he always used H. Clive Gayton and — MS.
And her father, I think, was Walter Cassels, but again, I barely knew him.The Passing of Time: Michael Hurson at Work, – Author Michael Hurson, Dan Nadel Publisher Paula Cooper Gallery Published ISBN Clinical utility of the Personal Questionnaire Rita de Pádua Antunes Supervisor: Ph.D Célia Sales, University of Évora Clinical Utility of the Personal Questionnaire improve quality of care (e.g.
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